Author Archives: Alison

Further opinings

Where do I myself stand?

  • I support universal access to therapies of demonstrated benefit. It’s difficult to tease apart the inequities of access to healthcare from other social inequities, so it’s difficult to know for sure whether unequal access to healthcare alone is bad for the population overall, but the World Health Organization’s (and others’) statistics suggest that in countries where there is wide socioeconomic disparity, everyone’s health suffers, rich and poor.
  • Cost to the user is a barrier to access. It is not the only barrier, and it is not necessarily the determining barrier, but it is the barrier that receives most attention. I think there should be some cost to the user, so that they value health care as they value their CDs, costume jewellery and concert tickets – which can cost the same as a prescription and are paid for without complaint. There is a strong element of take for granted for a free system. That said, there will be people who must have the cost covered, and the process of getting the cost covered should not in itself be a barrier. Chronic ill-health is impoverishing, and, conversely, poverty is bad for your health. And the cost must be capped. Need for health care is not shared equally, and a minority of people will be very needy for most of their lives, most of us will be very needy for small parts of our lives, and another minority will die suddenly and – from the point of view of the health care system at least – cheaply.
  • I said proven interventions, and I am of the opinion that a universal access health care system cannot afford to pay for what has not been shown to work. Which is a statement laden with traps for the pronouncer, because our knowledge of what works changes weekly: witness the recent flip-flops over recommendations about hormone replacement therapy and mammography, and does anyone know whether I’m supposed to be eating cholesterol or not this week? The present “gold standard” for evidence, this decade at least, is the double-blind randomized controlled trial, but there are immense challenges in running such trials well, so as to get good answers on meaningful questions, and they answer the questions for people-in-aggregate rather than individuals. With emerging information from the human genome project and molecular pathology it’s becoming apparent that people respond differently to treatment, and diseases that we thought were uniform entities actually have very different subclasses. Then there is the question of how to feed evolving scientific knowledge into a beaurocracy, so that not only do you have to keep track of what works this week, but what is paid for this week … um.

Opinings on health care

Every time I run into this, I think of the Canadian Health Care system, and certain of its critics.

"Never," said Kareen with passion, "ever suggest they don’t have to pay you. What they pay for, they’ll value. What they get for free, they’ll take for granted, and then demand as a right."
A Civil Campaign Lois McMaster Bujold

I suspect that is one reason that alternative medicine has so many adherents. It is a well-known psychological wrinkle that, if we make a public declaration for something – like signing a petition – or commit resources to it – like money – we are then biased towards it. People have to pay for alternative medicine; therefore they must believe it works. (The same mechanism, admittedly, will bias me in favour of mainsteam medicine).

Delighting the ear

BBC radio plays were a staple of my Leeds years, and something I missed, far more than anything on television. Broadband internet alleviated the deprivation to a degree, but with the eight hour time difference, the experience was just not the same: Classic Serial at 7 am, The Afternoon play at 6:15 am. I did, I confess, attempt streaming audio capture, but I suspect they are just too clever for me, and the software available for the Mac too limited; I never did succeed. But my conscience was therefore left clear enough to enjoy the latest innovation from the Beeb: Each original play now goes up on the Internet for a week after original broadcast. A couple of weeks ago I went from innocence to debauchery – the second part of Watership Down followed by the first part of Flashman at the Charge, with a detour into obsession and family pathology in the Friday Play, The Marilyn Room. See the Radio 4 Arts and Drama Homepage.

Grace Notes

p>One thing that Bernard MacLaverty got right about the creative life – which oddly enough other novels about artists by artists haven’t, is the never-not-working-ness of art (also true about science). The constant engagement in the discipline, whether at the forefront of one’s awareness and absorbing all one’s attention, or while thinking of something entirely different, until some stimulus brings it to the fore. His composer protagonist is constantly becoming aware aware of rhythm, sound, silence and breathing, the elements of her music. Things bring back to her the words of her teachers. Far too many novels about artists miss that sense of the constant presence of the work; it gets tidied away into the office or the studio and out of the novel’s consciousness, and the novel is completely bound up with – usually – relationships (sometimes politics), and the works of art are portrayed as arising from a completely autobiographical or self-expressive impulse, with no sense of the constant musing, drafting, sketching and working out required, or, for that matter, the influences. But dearie me, I’d like to read a novel about a modern creative woman that does not feature unplanned motherhood/spousal abuse/depression, any or all of the above. Misery and muddle seem to be obligatory to demonstrate sensitivity.

A long train journey

I might one day find the exact quote I keep paraphrasing, Ibsen’s observation that after his first draft, he felt as though he’d been introduced to his characters, after the second, that he’d been to dinner with them, after the third, that he’d been on a long train journey with them, and after the fourth that he’d known them all his life. I am not yet out of the first draft and I feel I am on a very long train journey. To quote Rita Mae Brown, photosynthesis is far more efficient than writing as a means of earning ones daily bread.