Author Archives: Alison

Anticipation schedule

When: Thu 12:30
Title:  Bio-Ethics
All Participants:  Alison Sinclair, Judy T. Lazar, Laura Anne Gilman,
Russell Blackford, Tomoko Masuda
Moderator:  Laura Anne Gilman
Description:  Medical experiments, drug companies, cloning, insurance,
bookies and you.

When: Fri 12:30
Title:  Alison Sinclair Signing
All Participants:  Alison Sinclair
Duration:  0:30 hrs:min
Language:  English

When: Fri 20:00
Title:  Mad Social Scientists
All Participants:  Alison Sinclair, Sparks, Shariann Lewitt
Moderator:  Sparks
Description:  Why do the chemists get all the fun? Why do you have to
be a physicist to destroy the world? The panellists discuss the
possibility of using social science to destroy the universe.

When: Sun 10:00
Title:  Science for SF Writers
All Participants:  Julie E. Czerneda, Alison Sinclair, David Clements,
David D. Levine
Moderator:  David Clements
Description:  Where can you get crash courses on science for science
fiction writers? Is it actually useful?

When: Sun 11:00
Title:  Food for Writers
All Participants:  Alison Sinclair, Jon Singer, Sharon Lee, Debra
Doyle
Moderator:  Jon Singer
Description:  So you have 90000 words to write, tthree months to do it
in, and the fridge is bare. What foods keep you going?

When: Mon 10:00
Title:  Author Reading
All Participants:  Alison Sinclair, Edward Willett, Heidi Lampietti

Paddling with an accent (Parc de la Rivière-des-Mille-Îles)

Cross-post from Kayak Yak.

On Sunday morning, admittedly quite a bit later than I had originally intended, I tossed a bunch of stuff including a pack lunch and a water bottle into my mesh MEC bag, and headed for Parc de la Rivière-des-Mille-Îles in Laval, an hour away by bus and Metro. Quite a straightforward trip, out to the Cartier Metro station, and transfer to the STL bus number 73, only hitch being that since it was Sunday morning, the service was hourly. Made the transfer, with room to spare. Fortunately when I saw two different entrances to the Parc, one for summer, one for winter, I had the wit to check with the bus driver, which was just as well, because the bus was on a detour and hung a left about 5 minutes walk before the Parc. So I hopped off the bus, climbed between the concrete bollards and across the stretch of denuded road and continued as directed, and found the Parc, the Interpretation centre, and signs to the rental centre, all right beside the road.

Skipped through the Interpretation centre, already seeing water and many boats of various colours and morphologies, joined the rental queue and managed, between my basic French and the agent’s basic English, to acquire a paddle, a life jacket, and a slip of paper that I was to take down to the water side. Slip of paper was shortly exchanged for a Boreal Kasko, orange plastic, at which I admit I looked a little askance, as it looked like it had been rode hard and put away wet, and I had doubts about the grey putty on the tip of the keel and the bulge aft of the seat. But the seat was comfortable, the foot rests needed no adjustment, and hey, it was a kayak and it was mine, all mine (at least for the next few hours). Once on the water, it felt not unlike my much-missed Kestrel.

Parc de la Rivière-des-Mille-ÎlesParc de la Rivière-des-Mille-Îles

I launched off a nubby dirt, stone and root patch no longer than the Kasko. There was a dock for the larger kayaks, multi-person canoes, and pedal-boats. I was offshore before I realized I couldn’t feather my paddle – it wasn’t going to twist that way – but I didn’t have any trouble adjusting. The launch was in a kind of lagoon [1] – looked as though a gap between two islands filled in at one end, so first I had to work my way out of the lagoon, around the corner, into the bay. It was already near lunchtime, and a bit breezy, so I paddled into the lee of an island, and parked in the shade of a willow tree to eat [2], periodically adjusting against the slight current and watching other craft go by. From the perspective of the single kayaker, there is something unintentionally hilarious about the sight of one canoe with 9 paddles all wagging at different rates and different angles. The high was forecast to be 23 C, the sky was piled up with big plump clouds, the sun was unfiltered by smog or moisture, and – only hitch – there was a breeze of up to 40 km/h forecast.

After lunch, I followed the route that all the other boats had taken, through a narrow gap between islands and then across through a channel between islands [3]. Dragonflies aplenty, from modest sized black ones, to the large metallic blue ones, all as impossible as ever to photograph. Went all the way through, decided I didn’t want to wind up back at the start quite yet, so doubled back. As I came around the side of that island, I met the strongest gust of the stiff wind that had been forecast, and for about 10 minutes made very little headway, but the wind gave up before I did , and I crossed over and worked my way up the side of Ile Lefebre, hugging the edge and watching the reeds. At one point I noticed some reeds almost at the shore twitching and thrashing as though there were a fight going on between a couple of somethings in there. Couldn’t see what, so hung around, watching the twitches getting closer to the water, thinking must be a water-bird but surprised, as it got closer to the water, that I was still seeing virtually nothing. Then just at the edge of the reeds, the water suddenly heaved and a curve of grey scale briefly appeared as the fish slithered over an underground obstruction. It was a large carp, at least a foot long, with a long orange-rimmed maw. Tried for some photos, but you’d need imagination to believe that smear was a fish’s spine, and I wasn’t going to sink the camera into these waters. Remember those carp. They’re going to come up again.

Parc de la Rivière-des-Mille-Îles panorama

Parc de la Rivière-des-Mille-Îles panorama

So I kept paddling along, up a stretch that was reminiscent of the stretch of the Gorge above Selkirk Trestle, with houses and docks along the water’s edge, up and around a rather posher-looking stretch [5], and one of my two panoramas, and into the area marked 6, which is shallow waters, reeds and wetlands, site of the second panorama.

Parc de la Rivière-des-Mille-ÎlesParc de la Rivière-des-Mille-ÎlesParc de la Rivière-des-Mille-ÎlesParc de la Rivière-des-Mille-Îles, Red winged blackbird

Parc de la Rivière-des-Mille-Îles, HeronThe first part of the paddle had proceeded to the constant accompaniment of heavy traffic over the bridge, but in the wetlands the traffic noise had faded to a subliminal hum, and the main sound was birdsong, especially the red winged blackbird. It was possible to nudge the kayak gently through the reeds, deeper into the marshlands. I caught periodic glimpses of waving paddles above the reeds, encouraging me to keep going. I found my way into a small clear area, full of lily pads, and was so intent on the few lilies that I nearly missed seeing the heron, by which point the heron had assumed that stretched-neck on-point posture that told me it was disturbed. I shipped the paddle and drifted, trying to look like a (friendly, big, orange) lily pad, but the big bird had had enough of my ill-manners and flew off in its slow, stately manner. So I started working my way back towards where I’d seen the paddles, following the voices, and screeches and squeals of fright. I met the group coming back through the reeds and the first thing the lead paddler asked me was had I seen the carp. Yes, I said, a little bewildered, but not here. I soon found out what she meant, and why the shrieks. I’d be innocently paddling along, and from the side there’d be a watery thunk and a great swirl as a bolt of fishy muscle turned on its tail and plunged into the reeds. Oh yes, it would make a great opening scene, under a bright blue sky with big fluffy clouds, what could be more innocent, kayaker paddling peacefully through the reeds, glancing curiously at swirl in the water, sudden truncated scream, shot of empty kayak drifting away …

Well, nothing et me, since I’m here to report. I followed some channels through the reeds, hoping to work my way round the island in the centre, but reached a point where the channels disappeared and the reeds continued. At which point I spotted something white flickering deep in the reeds which I made out as the head of a heron. While staring at that one, I initially missed seeing the second, more visible, heron off to the right of me, long neck extended, showing the white stripes up its neck and white flash above the eyes. I was determined to show some manners this time, and very carefully turned the kayak around in the reed channel, and tiptoed, kayak-style, away through the reeds and small trees, out into the main waterway. Then I wandered off down a channel that I thought should take me back in the direction I wanted to go, only to meet a bridge that I was sure I had not come under: it was far too narrow, and people were fishing off it, and I have a horror of fish hooks getting stuck in any part of me [7]. So I turned around and slogged back, meeting the breeze, reassuring myself I still had over 2 hours to find my way back before the rentals closed, found the floating lookout station, and worked my way around to the channel I knew I had come up and the bridge I had come under. The open waters were much busier now, with power-boats and jet-skis doing their thing, and a bit of wake to bob around in. By then my shoulders had quit merely grumbling and were threatening concerted industrial action, and I had been out on the water over 3 hours, so I paddled my way back to the lagoon, and turned in my boat. I’d been out long enough to graduate from the $11/hr to the $37/day rental. I had to pass through the Interpretation Centre at a gallop, only long enough to murmur appreciatively towards a grass snake that one of the attendants was showing off, to make my (hourly, remember) bus. Which was a shame, because I would like to have checked up and been able to put names to what I’m seeing. But I am most definitely going back.

Here’s the site for the Parc, en Francais. I tried hacking around the URL to see if I could find an English version, but there doesn’t seem to be one.

A rather nice line

Word-geek note. A little while back, I bought a second hand DVD of The Revenge of the Sith, which I had seen once when it came out, given it a 75%, and not really felt the need to see again in the theatre. My tastes run to films with a theatrical rather than a spectacular approach, that use the full power of the spoken language and on the full range of human expression, gesture and motion. In Lucas’ work, much of the emotional text is conveyed in the visuals and the music, and the spoken word tends to be used for exposition, or for the exchange of certain phrase-motifs.

Nevertheless, there’s one rather satisfying line in there, made so by the use of one word over its alternative. As Palpatine declares himself emperor, to the roaring approval of the senate, Padmé gets to make about her only political statement of the film (her political persona having landed on the cutting room floor): So this is the way that liberty dies. With thund’rous applause.

It’s the word liberty. The stresses in that sentence fall where they should, on this, way, lib, and dies, and the vowels in liberty match the vowels in those important words. The alternative choice is freedom, equivalent at the level of popular understanding. But it would not work: the two syllable freedom breaks the rhythm, and the long e jars in a sentence full of neutral vowels; the sentence, which should be driving towards ‘dies’, stalls in the middle.

Narrative enclosure in the Left Hand of Darkness

Thought in response to Jo Walton's blog post on the Left Hand of Darkness and the ensuing discussion: To me the question at the center of Left Hand of Darkness was always, 'if you take away gender, what's left' – or as Le Guin herself put it it 'is gender necessary'. Which makes it a touch ironic that it has come to be seen as the prototypic book 'about' gender. In my course, a few years ago, on a history of Modern Europe, I was introduced to the concept of 'enclosure' as a societal strategy for managing disruptive elements – it seems to me that Le Guin practiced a kind of narrative enclosure of gender in LHD in her invention of kemmer, to free her to write about other things. What went out were aspects of the masculine, epitomized by warlike behavior, but also certain aspects of the feminine (a thought I must unpack further). What remained were politics, culture, creativity, imagination, love, vision and sacrifice, not even the complete list but already a grand lot.

Thank you, says the voice from the hole

This is the first month’s anniversary of Darkborn’s publication, and last night I did my first Google search on the title and noted that a number of people have already reviewed it. I’d like to thank you all. Even if you didn’t care for it, I still very much appreciate the time and attention you put into reading it, thinking about it, and writing about it. And of course, if you did like it … well, I’m human (when not being something else for literary impersonation purposes), susceptible, and even more appreciative. 

I’m afraid I’ve been rather un-interactive; in fact, I more or less jumped in a hole and pulled it in after me. The first three novels I published were not only in the early days of the internet but stand-alones. By the time Legacies was published, I was deep in Blueheart. By the time Blueheart was published, I was trying to subdue Cavalcade. When I received reader and reviewer feedback, it was on a story that was completed in my mind and characters that had safely arrived, deservedly or undeservedly, at their destinies. Not on a story that was still working itself out and characters that were still developing. I had one critical comment pre-publication, quite offhand and definitely not intended to have the effect it did, that made me realize how easily my nerve could fail me in taking the trilogy where I want it to go. (I usually know where I want my characters to end up early in the writing, but the getting there is rather like the famous cartoon of the mathematical proof on the blackboard that has, in the middle, “And then a miracle occurs”.) So I’ve been – and continue to be – a bit skittish. Particularly since, instead of establishing the trajectory for Shadowborn over the summer, I’m in the midst of what has turned out to be a complex and substantial rewrite of Lightborn.

But it’s time to bunt myself out of the hole. Start Twittering again (I’m alixsinc – note the c – on Twitter and alixsin on identi.ca). Turn comments back on. Post photographs. Tidy up the blog. Finish posts and book-notes that are cluttering up my hard drive. Get over to tor.com and chip in my 2-bits-worth on some of their fascinating articles. Get the website upgrade done, which involves making a final decision on Dreamweaver (if it will condescend to accept my license key), Dokuwiki, or WordPress as the publication engine. So many more options since I first learned basic HTML. Can’t promise much over the next month, alas. Aside from Lightborn, I’ve summer courses in pharmacoepidemiology and Bayesian statistics. And I mean to get myself into a kayak at least once a week, before the water freezes once more. And since I’m in Montréal, I have a natural deadline to climb out of my hole: Worldcon 2009, Anticipation. Going to be fun!